When Soviet Youth Bootlegged Western Rock Music on Discarded X-Rays: Hear Authentic Audio Samples

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A catchy trib­ute to mid-cen­tu­ry Sovi­et hip­sters popped up a couple of years again in a track known as “Stilya­gi” by lo-fi L.A. hip­sters Puro Intuition. The lyrics inform of a charis­mat­ic dude who impress­es “all the ladies within the neigh­bor­hood” together with his “magazine­ni­tiz­dat” and gui­tar. Wait, his what? His magazine­ni­tiz­dat, man! Like samiz­dat, or beneath­floor press, magazine­ni­tiz­dat—from the phrases for “tape recorder” and “publishing”—stored Sovi­et youth within the know with sur­rep­ti­tious report­ings of pop music. Stilya­gi (a post-war sub­cul­ture that copied its fashion from Hol­ly­wooden motion pictures and Amer­i­can jazz and rock and roll) made and dis­trib­uted con­tra­band music within the Sovi­et Union. However, as an NPR piece informs us, “earlier than the avail­abil­i­ty of the tape recorder and dur­ing the Nineteen Fifties, when vinyl was scarce, inge­nious Rus­sians started report­ing banned boot­leg jazz, boo­gie woo­gie and rock ‘n’ roll on uncovered X‑ray movie sal­vaged from hos­pi­tal waste bins and archives.” See one such X‑ray “report” above, and see here the fas­ci­nat­ing course of dra­ma­tized within the first scene of a 2008 Russ­ian musi­cal titled, in fact, Stilya­gi (trans­lat­ed into Eng­lish as “Hipsters”—the phrase lit­er­al­ly means “obsessive about fash­ion”).

These information have been known as roent­g­e­niz­dat (X‑ray press) or, says Sergei Khrushchev (son of Niki­ta), “bone music.” Creator Anya von Bremzen describes them as “for­bid­den West­ern music cap­tured on the inte­ri­ors of Sovi­et cit­i­zens”: “They’d lower the X‑ray right into a crude cir­cle with man­i­remedy scis­sors and use a cig­a­rette to burn a gap. You’d have Elvis on the lungs, Duke Elling­ton on Aunt Masha’s mind scan….” The ghoul­ish makeshift discs certain look cool sufficient, however what did they sound like? Effectively, as you may hear under within the Bea­t­les sam­ples, a bit like outdated Vic­tro­la phono­graph information performed via tiny tran­sis­tor radios on a squonky AM fre­quen­cy.

Wearing fash­ions copied from jazz and rock­a­bil­ly albums, stilya­gi discovered to bounce at beneath­floor night time­golf equipment to those tin­ny ghosts of West­ern pop songs, and fought off the Komsomol—super-square Lenin­ist youth brigades—who broke up roent­g­e­niz­dat rings and tried to sup­press the influ­ence of bour­geois West­ern pop cul­ture. Accord­ing to Arte­my Troit­sky, writer of Back in the USSR: The True Sto­ry of Rock in Rus­sia, these information have been additionally known as “ribs”: “The qual­i­ty was terrible, however the value was low—a rou­ble or rou­ble and a half. Typically these information held sur­pris­es for the purchase­er. Let’s say, a couple of sec­onds of Amer­i­can rock ’n’ roll, then a mock­ing voice in Russ­ian ask­ing: ‘So, thought you’d take a lis­ten to the lat­est sounds, eh?, fol­lowed by a couple of selection epi­thets addressed to followers of styl­ish rhythms, then silence.”

See extra pictures of bone music information over at Laugh­ing Squid and Wired co-founder Kevin Kel­ly’s weblog Street Use, and above dig some his­tor­i­cal footage of stilya­gi jit­ter­bug­ging via what seems to be a sort of Sovi­et prepare­ing movie about West­ern influ­ence on Sovi­et youth cul­ture, professional­duced little doubt dur­ing the Khrushchev thaw when, as Russ­ian author Vladimir Voinovich tells NPR, issues received “a lit­tle extra lib­er­al than earlier than.”

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Notice: An ear­li­er ver­sion of this put up appeared on our web site in 2014.

Relat­ed Con­tent:

How to Spot a Com­mu­nist by Using Lit­er­ary Crit­i­cism: A 1955 Man­u­al from the U.S. Mil­i­tary

Louis Arm­strong Plays His­toric Cold War Con­certs in East Berlin & Budapest (1965)

Read the CIA’s Sim­ple Sab­o­tage Field Man­u­al: A Time­less Guide to Sub­vert­ing Any Orga­ni­za­tion with “Pur­pose­ful Stu­pid­i­ty” (1944)

Bertolt Brecht Tes­ti­fies Before the House Un-Amer­i­can Activ­i­ties Com­mit­tee (1947)

How the CIA Secret­ly Fund­ed Abstract Expres­sion­ism Dur­ing the Cold War

Josh Jones is a author and musi­cian based mostly in Durham, NC. 





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